Rediscovery of a Michelangelo

After the recent rediscovery of Salvator Mundi by Leonardo da Vinci, an artwork by Michelangelo is reported to have been exhibited at Campion Hall in Oxford University for years.

The painting was attributed to Marcello Venusti, a contemporary of Michelangelo. Antonio Forcellino, an Italian expert, identified the Italian master’s hand via the infrared technique. According to him, the true author of the canvas is undoubtedly Michelangelo — via redwolf.newsvine.com

Octoleopard / Meg Lyman

A commission. I love the feel of oil paint, but canvas is a bit bumpy for my taste. Also, the drying time… gaaak. By the time it’s dry enough to continue, I’ve lost my momentum and have to kick-start my interest. Gouache has spoiled me — via CrashOctopus Blog

Art, Wildlife

SBR001 Art Print / 555

Fine art print on bright white, matte, ultra smooth, 100% cotton rag, acid and lignin free archival paper using an advanced digital dry ink method to ensure vibrant image quality — via Society6

Cupid II / Meg Lyman

11×14″ gouache on Pastelbord

I don’t think I’ll ever tire of the cephalopods-as-cupid theme. Also, I can’t say enough about how much I like using gouache on Pastelbord. It does chew up brushes, though.

This was my first attempt to apply what James Gurney calls the Windmill Principle. It’s a subtle application, but I like the result — via CrashOctopus Blog

Vertebrata / Marc Da Cunha Lopez

In Vertebrata, photographer Marc Da Cunha Lopez has placed skeletons — properties of a biology department of Paris university — in different empty spaces and interiors that he captured during previous travels around the world.

The feeling that stands out from these pictures is one of waiting. A long expectation, full of hopes and dreams that never came true. Thus, these animals naked to the bones become almost humans — via RJ TimeouT