Big Trash Animals by Bordalo II is a series of artworks that aims to draw attention to a current problem that is likely to be forgotten, become trivial or a necessary evil. The problem involves waste production, materials that are not reused, pollution and its effect on the planet. Damaged bumpers, burnt garbage cans, tires and appliances are just some of the objects that can be identified when you go into detail. They are camouflaging the result of our habits with little ecological and social awareness — via Neatorama
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Gallery quality Giclée print on natural white, matte, ultra smooth, 100% cotton rag, acid and lignin free archival paper using Epson K3 archival inks. Custom trimmed with 1″ border for framing — via Society6
octopus — via ribbitingrobots
Converted pay phone in Sydney — via miguelmarquezoutside
Who knew that the humble, utilitarian traffic light could look so haunting—and beguiling? As seen through the lens of Lucas Zimmermann, they take on an otherworldly aspect, their red, yellow, and green lights casting an altogether ghostly aura that emanates like a very basic rainbow in a dark, foggy sky.
The Weimar, Germany-based photographer is self-taught and began the series over two years ago, taking to the streets at night and training his camera on what are normally overlooked and under-appreciated objects. But with a little magic, he has manipulated them into tableaus that suggest something sinister.
The empty streets are visible just as far as the signals’ rays’ reach, exposing bare trees and minimal side-of-the-road landscaping. But beyond that, who knows what lurks? — via Curbed
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Invited by Walk&Talk festival to participate in its 6th edition on the island of São Miguel in the Azores, Moradavaga took inspiration from the rich sea life that exists in and around the Atlantic archipelago to produce a site specific piece of interactive art. Influenced by the stunning landscapes and the mystic aura related to all that concerns whale hunting (in the past) and observation (in the present) our mind wandered through old tales like Moby Dick, by Herman Melville, and 20.000 Leagues Under the Sea, by Jules Verne, and the presence of sperm-whales along the Azores coasts led us to devise a character,
Vernie the giant squid, that came from the depths of the ocean to serve as a communicative playful tool for passers-by of all ages at Portas do Mar in the city of Ponta Delgada — via Vimeo
Made from a combination of tangled and woven red wool, Brazilian artist Tatiana Blass‘ installation,
Penelope, flows inside and out of the Chapel of Morumbi in São Paulo, Brazil.
The installation was inspired by the Greek myth of Penelope, who was Odysseus’ wife in Homer’s Odyssey. In the story, Penelope weaves and destroys a burial shroud for her husband, in a tribute to the power of love and to weaving — via ArchDaily
Monte Palace was a 5 star hotel in Sete Cidades (São Miguel, Azores Islands) that open only for one year. It was a foreign investment that didn’t succeed and was unable to pay the suppliers. Soon after the closing became empty and now there’s only the skeleton left. These days it is a monument in the island against especulation and disproportion. From Javier de Riba on Vimeo
At San Antonio International Airport, Gabriel Dawe has installed a monumental, rainbow hued public art installation that emulates the dynamic shape of an airplane.
Plexus C18 comprises a nearly 145km weaving of coloured thread hooked from wall to ceiling, suspended from the vaulted roof of the terminal and ticketing area. made up of more than 19 colours, the installation creates a prism-like effect that represents the full spectrum of visible light — via designboom
Love that the Aussie poster has been edited by the locals.
A street artist who raised the profile of immigration issues with his Real Australians Say Welcome campaign is at work again on a new project asking What Is A Real Aussie?
“It’s sort of saying to the audience: ‘Aussie? Is this what you think?'” artist Peter Drew said.
“Because this is the truth of our history.
“I think art should ask questions and I try to do it in a friendly way.”
Drew said he went through the national archives in search of images of past Australians and found images of the cameleers from a century ago.
“The cameleers were camel drivers, mostly from Afghanistan, India and Pakistan and they helped explore the outback and helped establish rail networks,” he said.
“They basically ran the outback for 70 years and not many people know they existed.
“The campaign is really based around one guy in particular and his name was Monga Khan.”
The Adelaide artist said Khan applied about 100 years ago for an exemption from the white Australia policy.
“I thought this guy’s portrait was particularly heroic … he can become a symbol for all those people who had to go through that process. I’d really like to make him famous,” he said.
Their body panels consist of a lace work of metal gears, their wind shields no more than mesh, their seats steel and the spaces under their hoods hollow, but these life-sized car sculptures still manage to look like they could fly down the street at top speeds at any moment. A group of 50 artists raids the scrapyards of Pruszków, Poland for trash they can integrate into their Gallery of Steel Figures, a museum full of impressively lifelike recycled art — via Urbanist
I’ve painted a response to being a Pop Icon. After thirty years, I’ve become Pop Art, something that people look at, recognize, and remember. I’ve tried to respond with art. I hope you enjoy it. Please subscribe, like, or share. See all the paintings at www.tomwilsonusa.com Thanks. Thanks — via Youtube
Szoki’s new found love with Art Deco has shifted towards cubism — via Behance
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SWANH.NET is an adaptation of Star Wars Episode IV in a style that was inspired by infographics. One story in one piece of 123 metres length — via swanh.net
Gazing down at foamy-looking swirls of white on black from a niche in an ancient castle, you almost feel as if you’re an astronaut watching a hurricane form above the ocean on the distant Earth. These cellular arrangements form tentacular appendages of varying opacity, meeting in the centre to create a vortex effect. They are, in fact, made of salt, with each grain symbolising a memory or a moment in time. Artist Motoi Yamamoto installed
Floating Garden and
Labyrinth within the castle tower at Aigues-Mortes in Southern France for an exhibition called Urbanist
— via Pie Comic
— via Port Sherry
Death in Space is a collection of 2 second scenes depicting the many ways to meet an untimely death in outer space. Created and Animated by Tom Lucas — via Vimeo
— via Pie Comic
These are some illustrations Laura Palumbo made for BarkPost, about some dog breeds and their ironic traits — via Behance
André Chiote’s newest series of illustrations focuses on the unique architectural characteristics of modern and contemporary world libraries. Using the building façades as a starting point, Chiote turns the complex exterior geometries and shadows into more minimalist representations of facilities that include: OMA’s Seattle Public Library, Scmidt Hammer Lassen’s University of Aberdeen New Library, and Dominique Perrault’s National Library of France — via ArchDaily
A puzzle of layers rather than pieces, each of this spray-painted works takes aesthetic cues from historic Barcelona, deploying them in novel contexts using unexpected materials. Catalan artist Javier de Riba creates these vibrant works with stencils, one of the original tools of the street artist, bringing them to life so well they could be confused for glass or ceramic tiles — via Urbanist
Various patterns are generated in Matlab using mathematical equations similar to ones describing Spirograph (or harmonograph) and Phyllotaxis. The patterns are calculated in such a way that when rotated under a stroboscopic light of suitable frequency or when recorded by a camera, they start to animate. It is kind of zoetrope — early device for animation. Eggs were painted using EggBot (designed by Bruce Shapiro as open hardware and available as a kit from Evil Mad Scientist). To draw on eggs, we used standard permanent markers and an electro kistka with bee wax followed by dying. Eggs are rotated at a constant speed, special for each pattern, by a brushless motor. No computer graphics tricks are used in the video — via Youtube